Dance, Trance, and Devil Pacts: The Fiddler and Norwegian Folk Mysticism

0 Replies, 462 Views

Dance, Trance, and Devil Pacts: The Fiddler and Norwegian Folk Mysticism

by Eirik Storesund


Quote:In its authentic and original form, folk music is always a form of Gebrauchsmusik. In other words: music with a specific and functional purpose, as opposed to the art music most of us are accustomed to, in which musical expression itself, a music for music's sake, becomes the main driving force. As utility music, folk tunes often come in the form of lullabies, herding calls, wedding marches, or dance melodies played to rouse an audience already familiar with its conventions and nuances. This is underlined by the fact that, to many listeners, old style Nordic folk music sounds a tad out of tune, mainly due to its off-the-beaten track microtonal ideal. Conversely, I've met fiddlers who claim that overexposure to traditional tuning has rendered them unable to appreciate “normal” music. Obviously, this makes Nordic fiddle, but especially jaw harp music, an acquired taste, though some might find it oddly addictive.

Since both audience and performers are mostly born into the tradtion, and the quality is judged based on authority rather than personal taste, folk music is more or less detached from modern conventions of artistic individuality. In the case of the Nordic fiddle tunes, most melodies do not have a proper name attached to them in the form of a “song title”. Rather, they were named according to their type and origin. Essentially, many are dances or marches, and since fiddle music was intrinsically connected these, the terminology associated with a certain dance, and it's associated tune, was the same.

A gangar for example, literally means “walker” or “strider”, and describes the pace of the dance and melody. A gangar from Setesdal might simply be called “gangar from Setesdal” with no other outwardly distinguishing feature to its name. If the jig is associated with a particular fiddler, then “gangar from Setesdal after Johnny Everyman” would suffice. However, authorship is often vague, if not entirely anonymous....
'Historically, we may regard materialism as a system of dogma set up to combat orthodox dogma...Accordingly we find that, as ancient orthodoxies disintegrate, materialism more and more gives way to scepticism.'

- Bertrand Russell


[-] The following 3 users Like Sciborg_S_Patel's post:
  • Brian, Ninshub, Typoz

  • View a Printable Version
Forum Jump:


Users browsing this thread: 1 Guest(s)